Bartolome Esteban Murillo
Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.

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Bartolome Esteban Murillo Annunciation (mk08) oil painting


Annunciation (mk08)
c.1660-1665 Oil on canvas 125x103cm Madrid,Museo del Prado
Painting ID::  21634
Bartolome Esteban Murillo
Annunciation (mk08)
c.1660-1665 Oil on canvas 125x103cm Madrid,Museo del Prado
   
   
     

Bartolome Esteban Murillo The Toilette (mk08) oil painting


The Toilette (mk08)
c.1670-1675 Oil on canvas. 147x113cm Munich,Bayerische Staats-gemaldesammlungen,Alte Pinakothek
Painting ID::  21635
Bartolome Esteban Murillo
The Toilette (mk08)
c.1670-1675 Oil on canvas. 147x113cm Munich,Bayerische Staats-gemaldesammlungen,Alte Pinakothek
   
   
     

Bartolome Esteban Murillo La Immaculada (mk08) oil painting


La Immaculada (mk08)
Oil on canvas. 96x64cm Madrid,Museo del Prado
Painting ID::  21636
Bartolome Esteban Murillo
La Immaculada (mk08)
Oil on canvas. 96x64cm Madrid,Museo del Prado
   
   
     

Bartolome Esteban Murillo The Little Fruit Seller (mk08) oil painting


The Little Fruit Seller (mk08)
c.1670-1675 Oil on canvas. 149x113cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
Painting ID::  21637
Bartolome Esteban Murillo
The Little Fruit Seller (mk08)
c.1670-1675 Oil on canvas. 149x113cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
   
   
     

Bartolome Esteban Murillo self-Portrait oil painting


self-Portrait
mk52 c.1670-3 Oil on canvas 122x107cm National Gallery,London
Painting ID::  26805
Bartolome Esteban Murillo
self-Portrait
mk52 c.1670-3 Oil on canvas 122x107cm National Gallery,London
   
   
     

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     Bartolome Esteban Murillo
     Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.

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